With RGV-fied films, the proceedings don't pack a punch if you have watched the trailer of the movie even once. And it is a chink in the armour of this agenda-driven film. Like a number of self-indulgent films, 'Murder', too, is riddled with overlong scenes. Sahithi shows that she can make the audience root for her two or three expressions. He can be both over-the-top and subtle at the same time. Srikanth Iyengar, whose 'Brochevarevarura' act was superb, makes his deceptively-carved character look better. There is also this assumption that sensationalism and WhatsApp-style narrative-building can be a substitute for the lack of novelty or creativity. To be sure, the film doesn't get most of the things right. True to his form, RGV borrowed from hearsay and received wisdom from the emotionally-taxing saga to spin a convenient movie.
In 2018, Maruthi Rao got his pregnant daughter's husband hacked to death, catapulting himself and his family to a self-destruction mode in no time. The drama is vividly inspired by the Amrutha-Pranay-Maruthi Rao saga in Telangana's Miryalaguda. His plan cascades into shocking developments.ĭirector Anand Chandra leavings nothing to the imagination. The possessive and overly emotional father hatches a plan to win over his daughter's loyalty and wean her away from her love interest.
His daughter, Namratha (Sahithi), means the world for him.Īs fate would have it, Namratha falls in love with Praveen, which unsettles the father at first. Madhava Rao (Srikanth Iyengar) is a well-heeled businessman who commands the subservience of his traditional wife, Vanaja (Gayatri Bhargavi). Here is our review of the controversial film. 'Murder', conceived by Ram Gopal Varma, hit the screens in select parts of the Telugu States on Thursday.
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